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OFFICIAL B&H $500.00 GIFT CARD DASH SWEEPSTAKE RULES NO PURCHASE IS NECESSARY TO ENTER OR WIN. The B&H $500.00 Gift Card Dash (the 'Sweepstakes') is void where prohibited by law and is sponsored by B&H Foto & Electronics Corp., 440 Ninth Avenue, New York, NY 10001 ('Sponsor'). It is not sponsored or endorsed by Facebook or Twitter in any way.

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To receive names of the winners by U.S. Mail, please mail a self-addressed stamped envelope to: B&H Foto & Electronics Corp., Attn: B&H $500.00 Gift Card Dash Sweepstakes, 440 Ninth Avenue, New York, NY 10001. Any Winners List request must be received by B&H within one (1) year of the date the Sweepstakes is conducted. Blackmagic Pocket Cinema Camera Demo The Blackmagic Pocket Cinema Camera from Blackmagic Design is a compact Super 16 format camera designed for digital film production. The Super 16 sized sensor has an effective resolution of 1920 x 1080 and is capable of capturing 13 stops of dynamic range. The Pocket Cinema Camera records Full HD video in either the lossless CinemaDNG RAW or Apple ProRes 422 (HQ) format. The active Micro Four Thirds lens mount can accommodate a growing range of MFT format lenses as well as a host of excellent legacy lenses via optional adapters.

Blackmagic Design has packed all of these impressive features into a remarkably compact (5 x 2.6 x 1.5') and lightweight (12.5 oz) magnesium alloy chassis. Active Micro Four Thirds Lens Mount Blackmagic Pocket Cinema Camera lets you use an extensive range of lenses. With full electronic control of an MFT lens, you can simply point and set iris all on command.

The Micro Four Thirds lens mount also gives you the flexibility to adapt to PL or other lens mounts as required. Moreover, the Super 16 size sensor is compatible with a wide range of adapters for film quality Super 16 lenses.

13 Stops of Dynamic Range The Blackmagic Pocket Cinema Camera delivers a film-like look with a super wide dynamic range of 13 stops. This means you retain all sensor data for DaVinci Resolve color grading.

Plus, you get two dynamic range settings, film Log or video REC709, so you can choose the right dynamic range for your project. Using DaVinci Resolve Lite, which can be downloaded free from Blackmagic Design's website, you can color correct files natively or transcode them into a different file format to suit your post production workflow.

Record to SD Cards The Blackmagic Pocket Cinema Camera features a built-in SD card recorder that captures ProRes 422 (HQ) and lossless compressed CinemaDNG files to fast SDXC cards. SD cards are commonly available and can be formatted for either HFS+ or exFAT, making them compatible with either Mac OS X or Windows. CinemaDNG RAW and ProRes The Blackmagic Pocket Cinema Camera records into high quality ProRes 422 (HQ) and lossless compressed CinemaDNG RAW files so you retain fine image detail with wide dynamic range for amazing images. This means that the Blackmagic Pocket Cinema Camera supports true open file formats, so you're not locked into a strange file format that your editing software can't handle. Portable Design Designed as an ultra compact, digital film camera the Blackmagic Pocket Cinema Camera features a lightweight, elegant design that fits into your pocket. Produced from magnesium alloy, it includes a high resolution LCD for precise focusing and a built in SD card recorder, so you get a complete solution without the need to buy expensive accessories.

High Resolution Display The 3.5', 800 x 480 resolution LCD allows you to monitor while shooting and review files recorded on the SD card. The high resolution screen makes it easy to focus accurately and lets you zoom in to 1:1 size so you focus precisely every time. Camera status displayed at the bottom of the screen shows record status, shutter angle, time lapse interval, aperture setting, ISO, battery level and record time. Blackmagic Pocket Cinema Camera even includes built-in metadata entry. SDXC and SDHC Memory Cards The Blackmagic Pocket Cinema Camera features a built-in SD card recorder. With the fast read/write capabilities of SDXC and SDHC cards you can record digital film quality images to a memory card that is smaller than a postage stamp. The camera creates 12-bit lossless compressed CinemaDNG and 10-bit ProRes 422 (HQ) files that are way beyond broadcast standards.

When using ProRes you can record for more than 50 minutes on a 64GB SD card at 24 frames per second. Removable EL-EN20 Compatible Battery The Blackmagic Pocket Cinema Camera includes a removable and rechargeable lithium ion battery, which provides up to an hour of continuous recording time. The Nikon EL-EN20 battery type is commonly available, so you can purchase multiple batteries if you need to shoot for longer periods. The battery charge time is approximately 1 hour 15 minutes with the camera off. Plus, with a wide 12-20V power input range the camera can easily be powered and charged from larger professional camera batteries and other power sources. Professional Connections The connections on the side of the camera include a micro HDMI output with optional overlays for easy on set monitoring. You also get a standard mini jack microphone input that is compatible with common AV style microphones, plus a mini jack headphone socket for audio monitoring using headphones.

A LANC control input is also included for remote operation, and you can power the camera and recharge the removable battery with the 12V DC input. Metadata Support The Blackmagic Pocket Cinema Camera can record metadata such as automatic camera data and user data like shot numbers, custom filenames and keywords. A four-way directional control pad allows users to navigate the menus and enter metadata.

Mounting Options The Blackmagic Pocket Cinema Camera features a 1/4'-20 UNC threaded mounting point on the top and bottom of the camera. This enables any number of support configurations, from mounting the camera on a tripod and attaching accessories to car mounts, pole mounts and practically any type of set-up you can imagine. Other Features The camera's FOCUS button turns on and off the peaking focus assist feature, and the IRIS button automatically adjusts the iris setting when used with a compatible lens.

Steve Kilisky's Dynamic Media Blog: An Active Day For Mac Download

Other features include focus peaking display and 1:1 scale display. Rated 4 out of 5 by Emptymind from Must have for Pro's PROS: I am using this alongside it's big brother as a second camera and in many cases as the camera to keep with me on the streets shooting from a monopod or hand-held.

Great for 'getting those moments'. Paired with a M43 Panny 12-35mm lens this is a great combination. Superb image with high dynamic range in prores for a simple workflow. Raw is coming soon! CONS: It may be small and less than $1,000 but this is made for pro's not amateurs. Not easy to use to get professional results but the superb image is worth the effort.

The LCD screen is almost unusable in daylight. Audio is an afterthought like it's big brother.

So that's why I took a star away. Rated 5 out of 5 by kpop from Don't be fooled with one star reviews so funny reading all the bad reviews. All of which are due to lack of experience. Any editor, producer, cinematographer worth a d.n, will always preach neutral, and flat. This camera is designed for colour grading, and if your not colour grading your projects, you don't belong in the class of professionals that this is designed for. Auto focus ARE YOU KIDDING ME?

Big files, also take NO time to transcode, DNXHD, or keep it prorez. An amazing dynamic range camera, with a price point that is unbeatable. Rated 4 out of 5 by Steve Nunez from Dedicated camera for Dedicated Shooter's This is a very specialized product only intended for those shooters who need it's very specific shooting characteristics. It requires a very dedicated workflow and expensive SD cards and is NOT suitable for the casual or enthusiast shooter. It is a camera aimed solely at those shooters who demand the greatest dynamic range at the cost of lots of post production work to extract the colors and tones this camera is capable of capturing. For most shooters a Panasonic GH3 is a much better option. For those very dedicated shooters who shoot under controlled environments and wish the greatest exposure latitude currently available in a pocketable camera- this camera will fit the bill.

Rated 5 out of 5 by VideoHead from A little thing that really works! Rated 5 out of 5 by christopher from still relevant in 2018 People forget the technology that is packed into this camera was ahead of its time.

With the many flavors of 8 bit only AVCHD offered by Sony, Canon, and Nikon, it is great to be confident you made the right purchase with the BMPCC because of its exceptionally diminutive profile which allows me to shoot in tight areas in PRORES HQ which allows me a much more dynamic color gamut in post, compared to its competitors BMPCC is also a solid B camera- I am purchasing a GH5S/atomos shogun for my primary camera because it is simply phenomenal (Apple ProRes Raw baby!!). And for the fact we already use the GH4 (another camera ahead of its time) as a workhorse where I work. However, I always find myself just bringing along my BMPCC and I'm always glad I did! Rated 5 out of 5 by Robert from I'll be adding another to my system.

Primarily used in a four camera live event workflow. Setup of the camera to the Yuan four camera capture devise is virtually plug-n-play.

I pipe through a micro converter HDMI to SDI. (There is no SDI out, the only mechanical thing I wish it had.) Image quality is beautiful. Like all of the Blackmagic cameras, there is no custom white balance, rather there are several preset Kelvin levels. White balance live has to be adjusted through the software after. The small body size is great for mounting in difficult places.

This camera is rugged and lives up to everything the Blackmagic Design website advertises. Rated 5 out of 5 by Carlos from Great camera This is a great camera! After switching from DSLR's to this.

I won't be going back. It's great quality, convinent size, so light weight. Yes, you need to put in some work in post, it's not meant for lazy people who just want the footage straight out of the camera. You have to correct and grade the footage which to me is still part of the creative process. It's not just about filming and done. My only complaint is the battery.

You need an external. Other than that, it's a great camera for serious filmmakers. Rated 4 out of 5 by Jonathan Siglow from A perfect first pro camera.

Steve Kilisky's Dynamic Media Blog: An Active Day For Mac Pro

If you're switching from DSLR to a serious cinema rig this is the best place to start. Fortunately for you all the firmware updates are completed and the camera was finally finished about a year and a half after it was released. First let's address all the best of complaints - You can format cards in camera It is audio levels Focus peaking Several flavors of prores It also has raw (which you'll almost never use) Problems that aren't going away - It still has rolling shutter It isn't fantastic in lowlight The crop factor is a bummer YOU WILL NEED A RIG AND POWER SOLUTION (it still eats batteries for lunch) You will need external sound as the pre amps are total trash.

Internal mic is for reference sound only. Advice from a user of over two years - Do yourself a favor and skip the micro 4/3 glass and buy the metabones EF mount speed booster when you pick up this camera (this will help marvelously with the low light issues and reduces crop from 3x to about 1.75x). Start collecting cinema prime glass at the small and big ends. The Samyang/Rokinon stuff works beautifully. And get a decent constant Aperture EF photog zoom lens for the focal lengths in between. Most importantly shoot, shoot, and shoot some more.

Steve Kilisky's Dynamic Media Blog: An Active Day For Mac Free

When you're done shooting go crazy with color grading because this camera will make you a better colorist. The codec lets you push your creativity in a hundred different directions. If you're using this camera you're getting honest and real and organic images that are tough to duplicate on a DSLR (especially one in this price range). The more you shoot with this camera the better your eye for composition will get.